Andy Goldsworthy: Working with Time
The Scottish artist uses a seemingly infinite array of purely natural materials
“As with all my work, whether it’s a leaf on a rock or ice on a rock, I’m trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.”
Landscape sculptor Andy Goldsworthy is renowned throughout the world for his work in ice, stone, leaves, wood. His own remarkable still photographs are Goldsworthy’s way of talking about his often ephemeral works, of fixing them in time.. Now with this deeply moving film, shot in four countries and across four seasons, and the first major film he has allowed to be made, the elusive element of time adheres to his sculpture.
Director Thomas Riedelsheimer worked with Andy Goldsworthy for over a year to shoot this film. What Riedelsheimer found was a profound sense of breathless discovery and uncertainty in Goldsworthy’s work, in contrast to the stability of conventional sculpture. There is risk in everything that Goldsworthy does. He takes his fragile work – and it can be as fragile in stone as in ice or twigs – right to the edge of its collapse, a very beautiful balance and a very dramatic edge within the film. The film captures the essential unpredictability of working with rivers and with tides, feels into a sense of liquidity in stone, travels with Goldsworthy underneath the skin of the earth and reveals colour and energy flowing through all things.